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<Text textformat="02" language="fre">&#60;p&#62;Remède ou poison ? Que nous apprennent l'histoire des plantes médicinales, les archives relatives à la peste au Moyen Âge, la politique brésilienne en 1904 face à la variole ? Quid du secret ? Médecine et secret vont-ils de pair chez Molière ? D&#8217;autres questions encore, telles que le rôle de la lecture et de l&#8217;écriture dans la guérison, ainsi que des poèmes ou des textes lusophones, traversent ce numéro préfacé par Delphine Bouit.&#60;/p&#62;</Text>
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<Text language="fre">Remède ou poison ? Que nous apprennent l'histoire des plantes médicinales, les archives relatives à la peste au Moyen Âge, la politique brésilienne en 1904 face à la variole ? Quid du secret ? Médecine et secret vont-ils de pair chez Molière ? D'autres questions encore, telles que le rôle de la lecture et de l&#8217;écriture dans la guérison.</Text>
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<Text textformat="02">&#60;p&#62;Préface : Delphine Bouit&#60;/p&#62;
&#60;p&#62;Guy Samama : &#60;em&#62;Remède sans remèdes. Entre rationalisme et irrationalisme&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Carlos F. Clamote Carreto : &#60;em&#62;Le remède dans les mots. Platon et la pharmacopée littéraire du Moyen Âge &#60;/em&#62;&#60;/p&#62;
&#60;p&#62;José Eduardo Agualusa : &#60;em&#62;A cura pela palavra&#60;/em&#62; / &#60;em&#62;Les mots qui guérissent&#60;/em&#62; (trad. Agnès Levécot)&#60;/p&#62;
&#60;p&#62;Frédéric Fiolof : &#60;em&#62;De quelques humbles miracles&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Maria de Jesus Cabral : &#60;em&#62;Le livre et le so(i)n &#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Nuno Camarneiro : &#60;em&#62;Jogo honesto&#60;/em&#62; / &#60;em&#62;Jeu honnête&#60;/em&#62; (trad. Agnès Levécot)&#60;/p&#62;
&#60;p&#62;Geneviève Xhayet : &#60;em&#62;À propos de remèdes contre la peste (xvi&#60;sup&#62;e&#60;/sup&#62;-xviii&#60;sup&#62;e&#60;/sup&#62; siècles)&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Gilda Oswaldo Cruz : &#60;em&#62;Oswaldo Cruz et l'émeute du vaccin à Rio de Janeiro&#60;/em&#62; &#60;em&#62;en 1904&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Carlos Augusto Ribeiro et Ana Paula Guimarães : &#60;em&#62;O segredo em espólio de medicina popular &#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Bertrand SesÉ : &#60;em&#62;À la recherche d'un remède oublié&#60;/em&#62;&#60;/p&#62;
&#60;p&#62; &#60;/p&#62;
&#60;p&#62;Maryse Emel : &#60;em&#62;Un remède contre la nuit&#60;/em&#62;&#60;/p&#62;
&#60;p&#62; &#60;/p&#62;
&#60;p&#62;José Saramago : &#60;em&#62;Pancresto remédio / Panacée universelle&#60;/em&#62;&#60;/p&#62;
&#60;p&#62; &#60;/p&#62;
&#60;p&#62;Ricardo Roque : Segredos &#60;em&#62;e medicinas em Goa colonial durante o século XIX &#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Pedro Vianna : &#60;em&#62;Cause toujours&#60;/em&#62; (poème)&#60;/p&#62;
&#60;p&#62;Samir Boumediene : &#60;em&#62;Agir en silences. Brèves remarques sur la pratique du secret dans l'histoire des plantes médicinales&#60;/em&#62;&#60;/p&#62;
&#60;p&#62;Patrick Dandrey : &#60;em&#62;Le secret médical sur la scène comique de Molière&#60;/em&#62;&#60;/p&#62;
&#60;p&#62; &#60;/p&#62;
&#60;p&#62;François Laplantine : &#60;em&#62;La maladie comme remède. Antonin Artaud, le théâtre et la peste&#60;/em&#62;&#60;/p&#62;
&#60;p align="center"&#62; &#60;/p&#62;
&#60;p align="center"&#62; &#60;/p&#62;
&#60;p align="center"&#62;&#60;strong&#62;Lectures&#60;/strong&#62;&#60;/p&#62;
&#60;p align="center"&#62; &#60;/p&#62;
&#60;p&#62;Kate Colquhoun : &#60;em&#62;L'a-t-elle empoisonné ? Une histoire de trahison, d'adultère et d'arsenic sous Victoria&#60;/em&#62;, Paris, Christian Bourgois éditeur, 2014 (Laurence Motoret).&#60;/p&#62;</Text>
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<Text language="fre">Sigila, dont l'intitulé est inspiré du latin sigillum (le sceau) et du portugais sigilo, aborde le secret &#8211; sujet présent dans tous les domaines de la pensée &#8211; à travers des approches pluridisciplinaires (histoire, philosophie, anthropologie, psychanalyse</Text>
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<Text language="fre">&#60;p&#62;Le secret, thème inépuisable de la littérature, des sciences humaines et exactes, de l'histoire, du droit, de l'art, de la vie quotidienne, est inhérent à toute culture. Franco-portugaise depuis sa création, Sigila est ouverte aux autres aires culturelles et accueille des contributions en différentes langues &#8211; avec des résumés en français.&#60;br /&#62; &#60;br /&#62; La revue a pour objectif de prendre en compte et de susciter des approches pluridisciplinaires du secret, et de mettre en lumière, grâce à la confrontation entre divers domaines, des convergences ou des écarts entre les problématiques exposées.&#60;br /&#62; &#60;br /&#62; Il s'agit, par exemple, de chercher à dégager les mécanismes d'occultation de certains événements historiques, politiques, économiques, scientifiques ou littéraires, et à définir la valeur d'une culture du secret face à la pression des médias ou, au contraire, ses dérives possibles. On s'attache à esquisser les frontières, les relations, les échanges et les interférences entre le secret, l'énigme, le mystère, la dissimulation, le mensonge, l'intime, le silence, le mutisme, l'aveu, le déni... &#60;br /&#62; &#60;br /&#62; Chaque numéro est consacré à un aspect spécifique du secret. Outre les études critiques, la revue inclut des textes de fiction ou des essais de tous genres, ainsi que des poèmes &#8211; qui composent une « anthologie du secret ». L'ensemble manifeste la richesse et la variété de ce champ sémantique.&#60;br /&#62; &#60;br /&#62; La revue publie des informations régulières sur l'actualité du secret : recensions d'ouvrages, colloques, expositions, films, presse, etc. Sans être exhaustives, elles pourront constituer une source de documentation d'un grand intérêt, sans équivalent, à notre connaissance.&#60;/p&#62;  &#60;p&#62; &#60;/p&#62;  &#60;p&#62;Consulter la revue &#60;a href="http://www.sigila.msh-paris.fr" target="blank"&#62;Sigila&#60;/a&#62;&#60;/p&#62;  &#60;p&#62; &#60;/p&#62;</Text>
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